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游戏论|《Undertale》的像素伦理:当图像符号开始索要身体主权
2015年,托比·福克斯(Toby Fox)开发的独立游戏《Undertale》[1]以复古像素为画布对图像本体论进行了深刻的叩问,编织出数字时代最具自反性的媒介寓言,借此成为数字游戏领域中W.J.T.米切尔图像理论的绝佳注脚。这款内存不大,玩法称得上是简单的游戏,却以 ...
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